From 2004 to 2017, he was the Artistic Director of the American Boychoir, leading the ensemble in over 150 performances and up to five national and international tours annually. He has prepared choirs for appearances with the Los Angeles Philharmonic, LA Opera, San Francisco Symphony, New York Philharmonic, Philadelphia Orchestra, Chicago Symphony Orchestra, Berlin Philharmonic and London Symphony Orchestra, among others. He has worked with such conductors as Gustavo Dudamel, Marin Alsop, Pierre Boulez, Yannik Nézet-Seguin, Michael Tilson Thomas, and Valery Gergiev, as well as artists ranging from cellist Yo‐Yo Ma, trumpeter Wynton Marsalis, pop legends Billie Eilish, Beyoncé Knowles, Sir Paul McCartney, Josh Groban, and opera singers Kathleen Battle and Jessye Norman. He conducted the American Boychoir on six recordings, led its performances on the Academy Awards and a 9/11 memorial service broadcast globally on CNN.
Countess
Figaro retrieves Cherubino, and Susanna and the Countess dress him for the charade. As an architectural lighting designer, he has designed numerous themed environments, theme park, residential, retail, restaurant and museum projects including the Sony Metreon Sendak Playspace in San Francisco, Warner Bros. Movie World in Madrid, Le Centre de Loisirs in Morocco and the LEGO Racers 4D attractions in Germany, Denmark, England and the USA. He has collaborated with acclaimed conductor Gustavo Dudamel for performances of Timur in Turandot with the Simon Bolivar Symphony Orchestra of Venezuela and Beethoven’s Ninth Symphony with the Los Angeles Philharmonic. Known for his versatility, Craig Colclough has appeared as Peter Vogel in Korngold's Der Ring des Polykrates with the Dallas Opera; Hare in the world premiere of Burke and Hare with Boston Lyric Opera; Pistola in Falstaff with the Royal Opera House, Covent Garden; and Doristo in L’arbore di Diana with Minnesota Opera.
The artists
He performs in concerts and recitals at the leading world’s concert halls, in the repertory ranging from Verdi’s Requiem to Russian songs and Schubert’s Winterreise. He has made numerous recordings of opera on CD and DVD, and his performances were broadcasted internationally over the radio and television. He feels equally at home at many opera houses such as La Scala in Milan, London's Royal Opera House, the Vienna State Opera, the Opera National de Paris, and the Metropolitan Opera as well in Rome, Turin, Florence, Bologna, Palermo, Buenos Aires, Los Angeles, San Diego, and Moscow. At the Mariinsky Theatre in St. Petersburg, he has become the first Italian bass to appear in the title role of Boris Godunov.
Ildar Abdrazakov Out of Opéra de Paris' 'Don Quichotte' - OperaWire OperaWire - OperaWire
Ildar Abdrazakov Out of Opéra de Paris' 'Don Quichotte' - OperaWire OperaWire.
Posted: Sat, 23 Dec 2023 08:00:00 GMT [source]
Santo Loquasto
She tried to comfort him with the handkerchief he had given her as a token of his love. She mistrusts his motive and refuses his demand, but in the end he forces it from her. The historic struggle between Christian and Muslim naval forces for control of the eastern Mediterranean is now between the Republic of Venice and the Ottoman Turks, its principal objective the island of Cyprus, currently occupied by Venice. The commander of the Venetian fleet is Otello, who is also the governor of Cyprus. Unusually, Otello is a Moor, a Muslim who has converted to Christianity, married a noble Venetian and risen to the highest rank in the Venetian armed forces.
When it was completed in 1875 Palais Garnier was one of the largest opera houses in the world. Emperor Napoleon III's vision was to create a temple to the arts, a world center for artistic pursuits, and an architectural wonder of the age. In its first forty years, performances remained cautious and low-profile, as French composers practised a strict protectionist policy. Things began to change in 1915 with the arrival of Jacques Rouché, who held his position for thirty years.
The History of Paris Ballet & Opera
He won an Encouragement Award in the Central Region Finals of the Eric and Dominque Laffont Competition in 2021, won first prize in the 2022 University of Cincinnati – CCM Corbett Opera Scholarship Competition and is a two-time semi-finalist (2021, 2022) of the Lotte Lenya Competition. He has also won awards from Classical Singer National Voice Competition and the Grand Junction Symphony Orchestra Young Artist Competition. In the summer of 2023, he performed Le Dancaïre in Carmen with Des Moines Metro Opera, followed by his Hollywood Bowl debut in Chris Thile's Attention! Alan Williams recently received his specialist and master's degrees in voice performance from the University of Michigan under the tutelage of Daniel Washington.
In 2011, Jason collaborated with director Joel Ivany and designer Camellia Koo to conceive a production of I Capuleti e i Montecchi that placed third in the biennial European Opera-Directing Prize. He has been nominated eight times for Dora Awards for Outstanding Lighting Design, and is a protégé recipient of the prestigious Siminovitch Prize in Theatre. He has won a Montreal English Theatre Award for his lighting of the NAC/Centaur co-production of The Adventures of a Black Girl in Search of God.
In addition, he returned to the Festival d’Aix-en-Provence as Nick Shadow; sang at the Bavarian State Opera as Basilio in The Barber of Seville; made his role debut as Enrico VIII in Anna Bolena at Minnesota Opera; sang Don Fernando in Fidelio at Houston Grand Opera; and sang Cadmus in Semele at the Canadian Opera Company (on tour at the Brooklyn Academy of Music). Distinguished soprano Marie McLaughlin has enjoyed more than three decades of performance at the highest international level. Over that time, she has collaborated with some of the world’s greatest conductors including such legends as the late Leonard Bernstein and Giuseppe Sinopoli, as well as Daniel Barenboim, Bernard Haitink and Sir Antonio Pappano. A wide repertoire of core roles took her around the world at an early age including to the Metropolitan Opera, Royal Opera House Covent Garden, Opéra National de Paris, and the Salzburg and Glyndebourne Festivals. Her substantial discography includes many of those roles including Zerlina in Don Giovanni with Sir Neville Marriner for Philips, Despina in Così fan tutte with James Levine for Deutsche Grammophon as well as Micaëla in Carmen and Violetta in La Traviata under Bernard Haitink.
Ma Mère l'Oye / L'Enfant et les Sortilèges
In his drunken state, Cassio assaults Roderigo and a brawl ensues in which he wounds Montano, a fellow officer. In the summer of 2023, he appears with Aspen Music Festival as the Voice of the Oracle (Neptune) in Idomeneo, also covering the role of General Benjamin in Jimmy Lopez's Bel Canto. An Atlanta native, Mr. Robinson is a graduate of The Citadel and received his musical training from the Boston University Opera Institute. In concert, Mr. Ciaramitaro has performed Orff’s Carmina Burana and Haydn’s The Creation with the Tallahassee Community Chorus, and was the tenor soloist in Handel’s Messiah at the Crystal Cathedral and with the Messiah Choral Society of Winter Park and the Villages Philharmonic. He's a beloved leader, a distinguished military commander and a devoted husband.
A familiar face at New York’s Metropolitan Opera, she also maintains a strong international presence at such key venues as Paris’s Théâtre du Châtelet, Santa Fe Opera and the Hollywood Bowl. She won a Grammy Award for her collection of Ives songs, and has also been recognized throughout her career as one of the foremost exponents of French vocal music. Although a native of Texas, she was awarded the French government’s prestigious “Chevalier de la Légion d’Honneur,” both for her popularity as a performer in France and in honor of her commitment to French music. Despite some prestigious productions and sumptuous casts, the Opera declined slowly until 1970, when major reforms were instituted. Whilst the troupe was dissolved and the theatre was closed, Roilf Liebermann was appointed managing director of the Paris Opera, with Georg Solti serving for a time as musical advisor.
One hour before each performance begins, join Music Director James Conlon for a pre-show talk about Pelléas and Mélisande in Stern Grand Hall, on the second floor of the Dorothy Chandler Pavilion. The heroine of Verdi’s opera, Violetta (Marguerite, in the novel), experiences these societal stigmas first hand. The fall of the chandelier actually mirrors a real accident at the Opera Garnier in 1896, when one of the counterweights of the 7-tonne chandelier fell into the audience and killed one person. The Opera’s underground lake where Erik built his palace really exists, but it is not as atmospheric as Gaston Leroux described in his novel The Phantom of the Opera.
Her work in these areas was at the core of her activities for nearly two decades at the University of Illinois Urbana-Champaign, in the theater studies and musicology departments. Since moving to Los Angeles, she has worked with many graduate students in the Herb Alpert School of Music at UCLA. Her scholarly publications include several studies of Wagner's creative process and dramatic art. An international opera critic for over 30 years, Syer is an avid performing arts advocate and public speaker. Equally at home on the concert stage, she has performed Strauss's Four Last Songs multiple times, including notably at Buckingham Palace for an HRH Prince Charles birthday celebration, and joined Jonas Kaufmann in 2019 and 2020 for a multi-city European tour in support of his latest recording, Wien, on which she is featured. Other repertoire includes Beethoven’s 9th Symphony, Mahler’s 2nd, 4th and 8th Symphonies, Mendelssohn’s Elias, Dvořák’s Stabat Mater, Schoenberg’s Gurrelieder and the Verdi Requiem.
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